The Best Wedding Videographers in Dallas

No other studio filming Dallas weddings has a public record close to this one. Green Light carries 120 reviews on WeddingWire at a 5.0 average, which is roughly five times the review depth of anything else on this list, and it has been doing this since 2012 under owner and cinematographer Paul Lin. It is family owned and operated rather than a booking brand that dispatches contractors, and that shows up in the consistency of the feedback across fourteen years.

The package structure is unusually concrete for this trade. Coverage runs up to eight hours with up to two videographers, and you get a highlight film of up to seven minutes plus a longer documentary edit of the celebration and aerial drone footage, delivered on a USB in a keepsake box. One honest note on geography. The studio brands itself as a Dallas wedding videographer and works the whole Metroplex, but its actual address is in Carrollton, and WeddingWire and The Knot both file it there.

DTX Weddings is the wedding arm of DTX Media, a Dallas commercial production company that has been working out of the Lee Parkway building since the mid 2000s. That address holds up across Yelp, Dun and Bradstreet, and two production industry directories, which is more corroboration than almost any wedding filmmaker in this city can offer. Founder Jonny Carroll came out of aerial cinematography and commercial photography and has done work for National Geographic, ESPN, Discovery Channel, and TLC.

It is also the broadest single booking on this list. Video, photography, live streaming, and photo stations all come from the same company, and packages are published in a $2,300 to $5,000 band rather than quoted only on a call. One caveat worth knowing before you search. The wedding arm also appears in directories under a 2633 McKinney Avenue suite number, which is a mailbox rather than a studio, so use the Lee Parkway address if you want to see the operation.

Lauren and Clint Brock have delivered more than 450 films across thirteen years, which is a volume nobody else here comes near, and they came to weddings from real production backgrounds rather than from buying a camera. Lauren worked in reality television in Los Angeles on shows including Bridezillas and A Baby Story. Clint did photography and media for Dallas start-ups. She taught him story structure, he taught her the camera, and the studio is what came out of that.

They are candid about the tradeoff they made. The business started with downtown Dallas offices and now runs out of McKinney, which is where The Knot files them, while their own site and the Carats and Cake directory both present them as a Dallas wedding videographer. They work the whole region, so the base matters less here than it would for a trade, but you should know it before you book a meeting.

Brittany and Jeremy Bay are a husband and wife photo and film team who have covered more than 350 weddings, and they did fifty in their first year, which tells you how fast the referral engine took hold. Brittany shoots stills, Jeremy runs video, and because they are married they solve the single most common wedding day complaint by default, a photographer and a videographer competing for the same angle at the same moment.

Their WeddingWire profile carries 25 reviews, they hold Best of Weddings recognition from The Knot, and Voyage Dallas has interviewed them. One search note. They trade as both Bay Productions and Brittany Bay Productions, and their listings split between Frisco, McKinney, and Dallas depending on the platform, so look them up under both names before you conclude you have found everything.

Tyler and Rebecca started filming weddings in 2019 and have built up 26 reviews on WeddingWire at a 5.0 average, which is the second deepest verified review record here and a lot of weddings for six years. What sets them apart on this list is that they publish an actual number. Packages start at $3,300, stated on their own investment page rather than held back for a discovery call.

The house style is openly dramatic and cinematic rather than observational, and they say so plainly, which is a useful filter. If you want a film that plays like a trailer and makes people cry, this is the right shortlist. If you want a quiet documentary record of the day, look at Amore Films or River and Rose instead. Reviewers repeatedly mention the pair disappearing into the background despite the polished output.

Brian Scott Rossen formed BSR in 2015 and has filmed more than 125 weddings. He is carried in the Wed Society North Texas vendor directory, formerly Brides of North Texas, which is a curated regional publication rather than an open marketplace and a meaningfully harder listing to earn than a directory profile you can buy.

The standard package is the reason to call. Nine hours of coverage with two videographers, a one minute teaser trailer, an eight minute highlight film, and a full ceremony film, with high quality audio capture treated as standard rather than an add-on and drone establishing shots included. Most studios on this list sell the second operator and the full ceremony edit as upgrades. Here they are the baseline, which makes the quote easier to compare than it first looks.

Matthew Zafra works out of the Love Field area and was profiled by Voyage Dallas, so there is a named person and a neighbourhood behind this rather than a brand with a contact form. His WeddingWire profile carries 6 reviews at a 5.0 average, a small enough number that we would watch the films rather than read the score, but the reviews are specific and consistent about the same thing, that he is easy to have around.

Two policies make him worth a call. He books only one event per day, which means the coverage window stretches as long as your day actually runs rather than ending when the next booking starts. And he will film outside the wedding day itself, including dress shopping and sit-down interviews with family, which is the material that turns a highlight reel into something with a narrative spine.

River and Rose publish their package structure clearly, which is rarer in this trade than it should be. Every collection includes the same floor, one cinematographer, a highlight film, and eight hours of coverage, so you are comparing what gets added rather than guessing what got removed. The top Heritage collection adds a forty minute documentary film and drone footage.

That forty minute edit is the reason to look here. It is the longest documentary deliverable anybody on this list advertises as a defined product, and it is the format couples say they miss when they only get a highlight reel. They keep to about a two hour travel radius from Dallas, which covers most of the Metroplex plus the Hill Country fringe and East Texas venues, and they are on WeddingWire and The Knot under a Dallas listing.

Ashley shoots Super 8, on vintage 8mm cameras from the 1970s loaded with actual Kodak film stock, and that is the entire business rather than a side offering. The result has the grain, the gate weave, and the warmth of a home movie, because it is one. Nothing else on this list produces anything remotely like it, and no amount of digital grading gets you there.

Be clear about what you are buying. This is a nostalgic, impressionistic record of the day, not a document of it. There is no synchronised audio on Super 8, so your vows and toasts do not survive in this format, and most couples who book it book it alongside a digital videographer rather than instead of one. Her WeddingWire and The Knot profiles both list Dallas, and reviewers consistently single out her eye for the small in-between moments.

Michael Arndt began his career as a professional singer and dancer and moved behind the camera after documenting his own travels, which is an unusual route into this trade and shows in how he directs people who hate being filmed. He has more than ten years behind him and offers both photography and video, with coverage tiers running from four hours up past twelve.

That four hour floor is why he is here. Almost every studio above sells eight or nine hours as the minimum, and for a small ceremony, a courthouse wedding, or a reception elsewhere on another date, that is money spent on an empty room. He is last on this list because the public record is the thinnest of the ten, a Knot profile listing Dallas and his own site rather than a long review history or press coverage, so do the call and the contract carefully.